Focusrite forged their reputation on high end consoles and preamps, and they still cater for the professional market with their superb Liquid preamps and classic ISA range, but over the last decade or so they've also looked to exploit their technology to create high-quality but affordable hardware for the ever-growing project-studio market. Obviously, some trade-offs have to be made in creating products for a specific price point, but Focusrite's quality-cost ratio has always been impressive.
Active DI Box BSS AR 133
The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133.
For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.
Audio Interface MOTU 8A AVB
With Thunderbolt and USB 3.0 connection as well as AVB connection
24 bit / 192 kHz
On-board DSP with digital mixer and effects - Classic reverb, compressor (modeled LA-2A), EQ (modeled British analog console EQ)
324 x 24 LCD display
8 Line inputs: 6.3 mm jack
8 Line Outputs: balanced 6.3 mm jack
2 ADAT inputs and outputs with S-MUX
Word clock input and output
Web Access Control (remote control via laptop, tablet or smartphone possible)
Dynamic Instrument Microphone Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.
Contoured frequency response for clear instrumental and sonorous vocal recordings
Decrease of percussion, drums and instruments amplifiers in professional quality
Cardioid for isolated signal source and reduces distracting background noise
Pneumatic shock minimizes handling noise
Holds even heavy use in stage use was
Frequency response: 40-15000 Hz
Output Impedance: 310 Ohm
Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV)
Microphone Rode NT2000
Large Diaphragm Condenser Microphone Rode NT2000 is the first studio microphone by Rode with infinitely variable pattern, infinitely variable filter and infinitely variable PAD. Thus, the Rode NT2000 is completely variable in use. Naturally Rode has the highest quality and an excellent price/performance ratio.
Infinitely variable pattern on the microphone
Very low noise
Infinitely variable filter
Infinitely variable PAD
Highest mechanical and acoustic quality
Incl. elastic mount SM2 in a case
Includes 10 years manufacturer warranty
Matched Microphone Pair Rode NT5
Matched Microphone Pair
True condenser microphone with gold sputtered 1/2” capsule
Frequency range: 20 - 20 000 Hz
Output impedance: 100 Ohm
Maximum SPL: 143 dB
Max. output level: +13.9 dBu
Very low noise
Requires 48V phantom power
Dimensions (H x W x D): 118 x 20 x 20 mm
Weight of each mic: 101 g
Finish: Satin nickel
Incl. Windshield, stand adapter and plastic case
Microphone Shure Beta 98
Condenser Microphone Clip The Shure Beta 98H / C (also known as WB98H / C for use with wireless systems) is a high-quality, permanently polarised condensation microphone with a cardioid polar pattern that is attached either to the bell of wind instruments or to the tensioning ring of drums or percussion instruments. The integrated gooseneck and the pivotable clamp connection make it easy to align the microphone and secure it. An isolating vibration absorber reduces the transmission of flap and other mechanical noises. The included swan neck fixation is designed to keep the microphone in the optimum position when moving more strongly. The Beta 98H / C operates with a transformerless preamplifier circuitry for better linearity over the entire transmission range, while the cardioid polar pattern provides high feedback-resistant gains and an excellent suppression of unwanted subsonic noises. The high maximum sound pressure level makes it possible to meet the extreme requirements of brass, woodwind and percussion instruments.
Swan neck, swivelling clamp connection and fixation for optimum microphone alignment and secure hold
With highly flexible 3 m cable for connecting the preamplifier
Transmission range: 20 Hz - 20 kHz
Output impedance: 150 Ohm
Noise sensitivity: -56 dBV / Pa (1.6 mV)
Maximum sound pressure: (at 20 Hz to 20 kHz, <1% distortion factor): 2.5 kOhm Load: 163 dB SPL, 1 kOhm Load: 155 dB SPL
Noise (equivalent sound pressure): 31 dB (A)
Power supply: 11 to 52 V
Weight of the microphone: 65 g
Weight of the preamplifier: 96 g
Fixed XLR phantom adapter, cable length: 3 metre
Microphone Shure Beta 52
Dynamic MicrophoneThe Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments. It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise.
Optimized frequency response especially for bass drum kick and low-frequency instrument pickup
High feedback with minimal background noise
Portable stand adapter with integrated XLR connector for easy installation, especially in the bass drum
Basket made of hardened steel protects against wear and damage
Air-sprung vibration absorber protects against impact sound and vibrations
Neodymium magnet for high output levels
Low sensitivity against different connection impedances
Transmission range: 20 - 10,000 Hz
Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated)
Output Impedance: 45 Ohm
Noise Sensitivity: -64 dBV / Pa (0.63 mV)
Microphone Audio Tehnica ATM-650
This versatile addition to the Artist Series features a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
SOUND IN MOTION for drums, percussion, wind instruments and guitar amps on stage
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile." Its patented Varimotion diaphragmuses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease. An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.
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